{"id":133,"date":"2022-11-29T23:41:30","date_gmt":"2022-11-29T23:41:30","guid":{"rendered":"http:\/\/92a404.gerald.shared.1984.is\/?p=133"},"modified":"2022-11-29T23:41:30","modified_gmt":"2022-11-29T23:41:30","slug":"a-naestu-vikum","status":"publish","type":"post","link":"https:\/\/gimaldin.org\/?p=133","title":{"rendered":"\u00c1 n\u00e6stu vikum"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Endur\u00fatg\u00e1fa Midi pr\u00f3ekt\u00edfs me\u00f0 aukaefni<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Midi pr\u00f3ekt\u00edf kom loksins \u00fat \u00e1ri\u00f0 2010, \u00e1 fyrsta \u00edslenska str\u00edminu, Gogoyoko. L\u00f6gin \u00e1 henni h\u00f6f\u00f0u veri\u00f0 samin og skrifu\u00f0 upp sem midi \u00e1rin 1997 og 8 &#8211; sem m\u00fassikkalskt og heimspekileg svari vi\u00f0 Homogenic Bjarkar og Time out of Mind Dylans. \u00cd millit\u00ed\u00f0inni haf\u00f0i \u00fdmisslegt gerst, \u00fea\u00f0 sem \u00feessari s\u00f6gu kemur mest vi\u00f0 er a\u00f0 orginal m\u00f3d\u00falan sem var me\u00f0 n\u00e1kv\u00e6mlega r\u00e9ttu General midi soundin (j\u00e1, General midi er ekki eins \u00ed \u00f6llum gr\u00e6jum, \u00fea\u00f0 er tilfinnanlegur bl\u00e6brig\u00f0amunur) fari\u00f0 \u00e1 flakk og s\u00f6mulei\u00f0is \u00feurfti a\u00f0 leysa mid\u00edi\u00f0 \u00far k\u00f3\u00f0apr\u00edsund Cakewalk forritsins sem allt haf\u00f0i veri\u00f0 skrifa\u00f0 \u00e1 og seifa\u00f0 sem vinnuskj\u00f6l frekar en universal n\u00f3tur, og var n\u00fana algerlega horfi\u00f0 \u00far allri notkun. <br>\u00deegar svo mikilli orku haf\u00f0i veri\u00f0 eytt \u00ed a\u00f0 endurvinna l\u00f6gin n\u00e1kv\u00e6mlega einsog \u00feau h\u00f6f\u00f0u hlj\u00f3ma\u00f0 12 \u00e1rum fyr, var auglj\u00f3st a\u00f0 af-dogma \u00feurfti verkefni\u00f0 a\u00f0 einhverju marki. T\u00f3nsmi\u00f0urinn og hinn \u00e6vasnjalli \u00deorvaldur Gr\u00f6ndal trommu\u00f0u n\u00fdjar l\u00e6ftrommur yfir uppt\u00f6kurnar, og svo var vi\u00f0 b\u00fai\u00f0 a\u00f0 lauma sm\u00e1 g\u00edtar inn\u00ed og s\u00ed\u00f0ast en ekki s\u00edst, og s\u00e9rstaklega \u00ed lj\u00f3si \u00feessi a\u00f0 hinn m\u00e6ti bassa- og mixmeistari Sveinn Helgi t\u00edmdi a\u00f0 l\u00e1na forl\u00e1ta Ampeg st\u00e6\u00f0u \u00ed verki\u00f0 &#8211; a\u00f0 bassa\u00f0 var yfir alltsaman. <br><br>\u00c1st\u00e6\u00f0ur endur\u00fatg\u00e1fu: fyrst og fremst, b\u00e6ta aukaefninu vi\u00f0, en einnig, masterinn fyrir Gogoyoko var \u00e1 hlj\u00f3\u00f0standard \u00feess t\u00edma sem n\u00fana er \u00fareltur. <br>\u00dea\u00f0 eru nokkrir dagar \u00ed \u00feetta enn\u00fe\u00e1, en \u00ed millit\u00ed\u00f0inni m\u00e1 heyra h\u00e9r lag sem upprunalega fylgdi Midi pr\u00f3ekt\u00edfi en einnig var ger\u00f0 \u00fatg\u00e1fa fyrir stuttmyndina Velkomin \u00ed Beinadal &#8211; og einnig s\u00fa \u00fatg\u00e1fa sem h\u00e9r fylgir &#8211; og \u00e1tti a\u00f0 br\u00faa hinar \u00fatg\u00e1furnar tv\u00e6r og vera um lei\u00f0 n\u00fdtanleg \u00e1 dansg\u00f3lfi\u00f0 \u00ed kl\u00fabbunum:<br><br>Vers\u00fag\u00fa, Vertu til &#8211; kl\u00fabbmix, og fylgist grannt me\u00f0 framvindu pl\u00f6tunnar sj\u00e1lfrar:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Vertu til - Club Mix In Extendo by g\u00edmaldin\" width=\"620\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1392993049&#038;show_artwork=true&#038;maxheight=930&#038;maxwidth=620\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">In English<br><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">This is a project totally composed through midi gear, written over the years 98-00. I had come into possession of a sound module, with a tiny keyboard and having little or no understanding of midi programming proceeded by manually playing all voices, incorporating almost no afterwork in the sequenser. The music is kind of a naive blend of pop, very melodic ambient and hints of classical contrapunctus, back then I was prone to call it &#8220;tone poems&#8221; as the arrangements were often totally contrary or even alien to any traditional arrangements for pop music.<br><br>Ergo, when I wrote it and made it, my ability to translate the midi into wave files and finish the mix was limited, due to lack of proper equipment and also with mixing experience &#8211; therefore I put the project aside. In 2008 I started completing the music, exporting it to a audio editing program and add a little extra to the mix with effect routing and so on. Understandably as the progress gathered momentum, the temptation to flavor a little more with live instruments became to strong to withstand.<br><br>S\u00e9rstakar \u00feakkir f\u00e1: Hrafnhildur Benediktsd\u00f3ttir, Brogan Davison, Else Tunemyr, Sveinn Helgi Halld\u00f3rsson (fyrir l\u00e1n \u00e1 bassamagnara), og fleira gott f\u00f3lk sem kommenta\u00f0i \u00e1 framvinduna.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">released December 23, 2010<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Additional drumming by \u00deorvaldur H. Gr\u00f6ndal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Endur\u00fatg\u00e1fa Midi pr\u00f3ekt\u00edfs me\u00f0 aukaefni Midi pr\u00f3ekt\u00edf kom loksins \u00fat \u00e1ri\u00f0 2010, \u00e1 fyrsta \u00edslenska str\u00edminu, Gogoyoko. L\u00f6gin \u00e1 henni h\u00f6f\u00f0u veri\u00f0 samin og skrifu\u00f0 upp sem midi \u00e1rin 1997 og 8 &#8211; sem m\u00fassikkalskt og heimspekileg svari vi\u00f0 Homogenic Bjarkar og Time out of Mind Dylans. \u00cd millit\u00ed\u00f0inni haf\u00f0i \u00fdmisslegt gerst, \u00fea\u00f0 sem \u00feessari<a class=\"more-link\" href=\"https:\/\/gimaldin.org\/?p=133\">Continue reading <span class=\"screen-reader-text\">&#8220;\u00c1 n\u00e6stu vikum&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-133","post","type-post","status-publish","format-standard","hentry","category-uncategorized","entry"],"_links":{"self":[{"href":"https:\/\/gimaldin.org\/index.php?rest_route=\/wp\/v2\/posts\/133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gimaldin.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gimaldin.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gimaldin.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/gimaldin.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=133"}],"version-history":[{"count":1,"href":"https:\/\/gimaldin.org\/index.php?rest_route=\/wp\/v2\/posts\/133\/revisions"}],"predecessor-version":[{"id":134,"href":"https:\/\/gimaldin.org\/index.php?rest_route=\/wp\/v2\/posts\/133\/revisions\/134"}],"wp:attachment":[{"href":"https:\/\/gimaldin.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gimaldin.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gimaldin.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}